A striking new sculpture has been unveiled on Sydney Harbour, celebrating the spirit of everyday heroes. The bust, titled Ancient Feelings, represents a fictional “every woman” and is crafted from golden bronze by British sculptor Thomas J. Price. This artwork is the first in a series of three public outdoor sculptures funded by a generous $3 million philanthropic gift dedicated to the lawn of the Museum of Contemporary Art (MCA).
Standing at an impressive three metres tall, the statue glimmers like gold and challenges traditional notions of who deserves to be commemorated in public spaces. Price explained, “Ancient Feelings raises questions about who gets to be seen and who gets to be valued. It’s all about offering people an alternative representation of humanity.” The statue was kept under wraps since its commission a year ago, only revealed recently as arts leaders convened at the Sydney Opera House for discussions on tax reform and philanthropic contributions.
The project was made possible by The Balnaves Foundation, honoring the legacy of Neil Balnaves, a television executive who donated $20 million to arts organizations. “My father strongly believed in the power of art to enrich lives,” said Hamish Balnaves, CEO of the foundation. He emphasized the importance of public art in fostering dialogue and challenging societal norms, stating, “It’s a longer tail, but if we don’t value the arts, it will come back to bite us.”
A Milestone for Public Art in Australia
The MCA’s Neil Balnaves Tallawoladah Lawn Commission represents a significant milestone in public art, paralleling initiatives such as The Fourth Plinth in Trafalgar Square and New York’s High Line. Price previously captured attention with his sculpture Grounded in the Stars, displayed in Times Square. Ancient Feelings marks his first public art project in Australia, showcasing the evolution of sculpture in contemporary society.
MCA Director Suzanne Cotter remarked on the changing landscape of public art: “Sculpture in the public place is a real art form. We’re a long way from traditional statues that only represented specific individuals or events.” She noted that in an age dominated by digital interactions, the physical presence of art can profoundly impact viewers, drawing them into a shared experience.
The statue was cast using the lost wax technique, with parts crafted in Switzerland and Shanghai before arriving in Sydney. Price’s choice of bronze connects to historical iconography, invoking images of ancient deities. He stated, “I grew up looking at ancient Egyptian heads… these fragments were part of the identity of some of the greatest nations.” His attention to detail is evident, with meticulous work on the bust’s features, including intricate braiding and a carefully modified patina that complements the MCA’s sandstone facade.
Addressing Challenges in the Arts Sector
The unveiling coincides with ongoing discussions among federal and state arts ministers, including Federal Arts Minister Tony Burke, focusing on the sector’s financial challenges. With rising costs and stagnant government funding, institutions like the MCA, Opera Australia, and the Sydney Theatre Company have reported operating deficits. The Art Gallery of NSW is even preparing to cut 51 staff to address a $7.5 million shortfall.
Victoria Balnaves emphasized the foundation’s commitment to public giving, highlighting the need for increased philanthropy in Australia. “Our father was always passionate about speaking out about the lack of philanthropy,” she noted. Hamish Balnaves reiterated the importance of sustained funding, warning that without public appreciation for the arts, attracting philanthropic support becomes increasingly difficult. “If the public values art, usually politicians follow,” he stated.
As the arts community in Sydney rallies around this new sculpture, Ancient Feelings stands not only as a tribute to everyday heroes but also as a catalyst for broader discussions about the role of art in society. The statue’s presence invites viewers to reflect on representation and value, encouraging a collective acknowledgment of the diverse narratives that shape our world.
