Melbourne’s renowned independent arts space, fortyfivedownstairs, has announced an ambitious program for 2026, featuring a notable adaptation of Jane Campion‘s film Bright Star. This initiative aims to enrich the local theatre scene and provide more opportunities for artists. The production will explore the profound relationship between the poet John Keats and Fanny Brawne, showcasing the inspiration that emerged from their love.
Artistic director Cameron Lukey expressed his excitement about the project, stating, “The story is about the love between the poet John Keats and Fanny Brawne, and the inspiration that he drew from that.” This marks the first stage adaptation of Bright Star, with Lukey collaborating with playwright Emmanuelle Mattana, known for her acclaimed work Trophy Boys. He acknowledged the challenges of adapting a film, particularly in elongating the brief scenes typical of cinema for the stage, but remains optimistic about the outcome.
Innovative Programming and Artist Support
The announcement of Bright Star is just one highlight in fortyfivedownstairs’ diverse 2026 program. Lukey noted that this year marks his third program as artistic director, stating, “It’s the first that has been several years in the making.” The lineup includes a mix of new productions, adaptations, and classic plays, aiming to reflect the current state of independent theatre.
Among the featured productions are two plays from the Melbourne Shakespeare Company: Eurydice and Antony and Cleopatra. Local creator Dax Carnay-Hanrahan will debut MR BIG aka Tatay, A Transwoman and That Tiring Tune! in June. Additionally, Spinning Plates Co will conclude its “Beast Trilogy” with Year of the Rooster, following the previous performances of The Crocodile (2023) and Rhinoceros (2024).
Lukey emphasized the importance of supporting artists, remarking, “I realised the gap between the indie sector and the commercial sector is just enormous.” With Bright Star, he aims to establish a new model for independent theatre, proposing a larger budget, balanced ticket pricing, and extended performance runs of five to six weeks.
Creating Sustainable Opportunities
In an effort to enhance financial security for artists, Lukey plans to offer higher pay than the standard indie model, which often relies on cooperative structures and small honorariums. “We want to try to give the artists a bit more security as well,” he explained. This ethos will extend to other productions in the program, many of which will run for three weeks instead of the usual two.
Lukey’s vision for the season also includes raising the profile of independent theatre in Melbourne. He expressed hope that if Bright Star proves successful, it could lead to similar productions and contribute to the sustainability of the independent sector.
As the arts community looks ahead to 2026, fortyfivedownstairs continues to evolve, providing a platform for innovative storytelling and artistic collaboration. The new program reflects a commitment to fostering creativity while addressing the challenges faced by independent artists.
