The new play *We’re All Gonna Die!* at La Boite Theatre in Brisbane takes a humorous yet dark approach to destruction, featuring cardboard recreations of the city’s iconic landmarks. Creative director Scott Barton and technical director David Morton have crafted a unique production that promises to entertain while provoking thought about existential threats.
Barton and Morton plan to depict the demolition of notable structures, including Brisbane’s City Hall and the Wheel of Brisbane. “We’re destroying City Hall, and the Wheel of Brisbane,” Barton states, discussing the playful yet destructive spirit of the performance. Morton adds, “Stefan’s Needle gets dropped from the sky as this twisted wreck,” highlighting their innovative approach to the play’s theme.
The narrative follows a school student named Theo, portrayed by Milena Nesic, who struggles to convince those around him that a sea monster is approaching to wreak havoc on Brisbane. “This thing is coming, and it’s not going to end well for Brisbane, and humanity in general by extension,” Morton explains. Theo’s plight becomes the central focus of the play, as he holds evidence of the impending doom yet remains ignored by others.
In the play, the old Treasury Building faces a menacing manifestation of the sea monster, further amplifying the sense of impending disaster. “The humour is dark,” Morton continues, acknowledging the complex emotional interplay in the storytelling. “I feel like I say this often when I’m talking about our work, but it’s like, you laugh until you get punched in the gut.”
The production is not just a comedy; it serves as a commentary on the human tendency to dismiss warnings, particularly in the face of catastrophic events. The use of familiar Brisbane landmarks adds a layer of local relevance, allowing audiences to connect personally with the themes presented.
Scheduled to run in 2023, *We’re All Gonna Die!* promises to challenge perceptions while delivering laughs. With its unique blend of comedy and social commentary, the play stands as a testament to the innovative spirit of the Dead Puppet Society and their commitment to pushing theatrical boundaries.
As the play approaches its opening, audiences can look forward to a performance that not only entertains but also encourages reflection on the consequences of inaction in the face of danger.
