Jesse McLean’s latest documentary, Light Needs, invites viewers to reflect on the intricate relationships between humans and houseplants. Premiering on December 26 on True Story, the film offers a unique exploration of the emotional and practical aspects of plant care through an experimental lens.
The documentary presents an audiovisual collage of perspectives that highlight this connection. McLean skillfully intertwines various voices, including those of plants themselves, creating a rich tapestry of narratives. Some human participants appear silently, embodying the stillness often associated with their green companions.
One notable feature includes a woman who shares a heartfelt story about her plant’s apparent loneliness after being separated from its neighbor, her mother-in-law’s tongue plant. She describes how the plant’s spirit seemed to revive upon their reunion, showcasing a charming blend of emotion and belief in the bond between humans and their plants.
Contrasting this personal anecdote, a caretaker from the Golda Meir Library at the University of Wisconsin-Milwaukee discusses the practicalities of plant care. His insights into repotting and optimal placement demonstrate a deep understanding grounded in years of observation. He speaks with humility, reflecting the expertise of many contributors featured in the film.
The documentary also introduces two elderly bonsai specialists who celebrate the history etched in their oldest tree, its gnarls and scars telling a story of resilience and time. Meanwhile, a young man passionately advocates for incorporating plants into minimalist designs, arguing that their vibrant presence challenges austere aesthetics.
Throughout Light Needs, McLean enhances the narrative with abstract photography and on-screen text, purportedly representing the plants’ voices. For instance, one segment features a plant describing photosynthesis as “feeling good to become unstable, to turn light energy into chemical energy.” This blend of botany jargon and metaphysical musings elevates the discourse, appealing to both casual viewers and botany enthusiasts.
In a playful twist, the film concludes with plants humorously discussing the human tendency to categorize and label them, highlighting the absurdity of such taxonomies.
Visually, McLean’s background in photography and visual arts shines through. The film is meticulously shot, capturing the intricate textures of leaves and skin alike. Complemented by a thoughtful electronic score, the film maintains coherence, despite its fragmentary structure.
As it stands, Light Needs offers a refreshing meditation on the symbiotic relationship between humans and plants, encouraging viewers to reconsider their own connections with the green life around them. This documentary promises to resonate with plant enthusiasts and casual viewers alike, making it a must-see.
