The film Sorry, Baby has ignited a bidding war at the Sundance Festival, where it also secured the award for Best Screenplay. Writer-director Eva Victor, who began her career as a stand-up comic, blends humor with serious themes in this 103-minute film, creating a unique narrative that resonates with audiences.
Set in a quiet part of New England, the story centers on Agnes, portrayed by Victor, a lecturer at a liberal arts college. Her best friend, Lydie, played by Naomi Ackie, arrives for a brief visit, and their reunion sets the stage for a deeper exploration of their past and the complexities of their relationship. As former classmates in a graduate program, the two share a history that hints at a possibly romantic connection.
As the weekend unfolds, the film reveals a darker narrative through flashbacks. Four years earlier, Agnes experiences a traumatic event when she is raped by her professor, Preston Decker (played by Louis Cancelmi), a charismatic figure who once mentored her. The film approaches this sensitive subject with care, avoiding graphic depictions. Instead, it focuses on the aftermath, capturing Agnes’ complex emotional state.
Agnes’ journey showcases her struggle with feelings of betrayal and confusion. Victor crafts a character who oscillates between skepticism and humor, reflecting the unpredictability of life. The film adeptly balances serious themes with moments of absurdity, particularly through its portrayal of college bureaucracy and Agnes’ eccentric interactions, including her conversations with a stray kitten, which underscore her unique perspective.
The character of Natasha, a jealous colleague played by Canadian actress Kelly McCormack, adds a layer of comedic relief, her wild-eyed wackiness contrasting with Agnes’ more understated deadpan delivery.
Once audiences adjust to the film’s distinctive tone, Sorry, Baby offers a thought-provoking experience, blending laughter with poignant reflections on trauma and resilience. The film opens in cinemas today, inviting viewers to engage with its layered narrative and compelling performances.
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