The annual Sculpture Bermagui event, set against the stunning backdrop of the Sapphire Coast, is gearing up to celebrate its 20th anniversary from March 7 to 15, 2026. This vibrant festival has transformed the coastal town of Bermagui into a cultural hub, showcasing a wide array of sculptures despite facing significant challenges over the years, including political controversies and natural disasters.
Initially launched in 2006 as a fringe event to the Seaside Fair, Sculpture Bermagui has evolved into a major exhibition featuring both large and small sculptures. The event has attracted thousands of visitors and artists, turning the seaside village into a must-visit destination each autumn.
The resilience of the event was notably highlighted during the devastating bushfires of 2019-20 and the COVID-19 pandemic, both of which posed serious threats to its continuation. In 2020, the exhibition defied expectations, showcasing a record number of artworks and demonstrating the commitment of local artists and the community to celebrate creativity even in difficult times. Paul Payten, who served as president at the time, described that year’s exhibition as a testament to the strength of the local community and the artistic spirit.
Creative Beginnings and Controversies
The inception of Sculpture Bermagui can be attributed to the vision of founder Jan Ireland. Her passion for public art, coupled with the area’s rich cultural ties to the traditional owners, the Djiringanj People, spurred her to create an event that would not only showcase art but also cultivate community engagement. Despite initial opposition from some locals who believed the town was unprepared for public sculpture, Jan persevered.
The inaugural display in 2006 featured Richard Moffatt’s abstract sculpture, “The Knot,” which sparked debate among residents. Some interpreted the piece as a critique of the proposed sewerage system for the town, leading to its confiscation by local council. Jan, with the support of a sympathetic councillor, successfully retrieved the sculpture, setting the tone for future artistic expressions that would challenge community perceptions.
Over the years, other pieces have also drawn attention and controversy. Notable examples include a sculpture depicting a gorilla nailed to a cross, symbolizing the existential threats to the natural world, and a bronze caricature of former Prime Minister John Howard, which was removed after being deemed too political.
A Community-Driven Celebration
Since Jan’s departure in 2016, the leadership has shifted to Paul Payten and currently to Ivan Baker, who is dedicated to nurturing the festival’s legacy. Baker emphasizes the importance of community involvement, noting that the event relies heavily on the support of volunteers and local businesses. He expressed excitement for the upcoming anniversary, highlighting the joy and engagement that the exhibition brings to both visitors and residents.
“The beauty of this area, combined with the wonderful and thought-provoking art, creates an atmosphere that is truly special,” Baker stated. He looks forward to welcoming diverse artists and guests for the landmark event, which has become known for its stunning displays and the vibrant participation of the community.
Artists from across Australia and around the world have joined local talents in showcasing their work at Sculpture Bermagui. Local sculptors Ulan Murray and Rachel Burns, who gained recognition for their intricate recycled copper wire fig tree, “Ficus Maris,” expressed that the event provides a unique platform for engaging with the community and sharing meaningful narratives around themes such as resilience and climate change.
As the countdown to the 20th anniversary begins, Sculpture Bermagui continues to thrive as a testament to the power of art and community spirit. The event remains free to the public, inviting all to experience the creativity and beauty that have defined its two-decade journey.
